AFAwebDOTorg
AFAwebDOTorg
  • 13
  • 126 848
Larry Poons: A Controlled Moment of Light
Larry Poons in Conversation with Karen Wilkin. The following interview was produced in collaboration with MediaCombo to complement "Color as Field: American Painting, 1950-1975," an exhibition organized by the AFA. Recorded in New York in 2007, this interview-divided into eight episodes-features painter Larry Poons in a rare conversation with the exhibition's guest curator, Karen Wilkin.
Переглядів: 8 735

Відео

Larry Poons: Remembering Light
Переглядів 5 тис.13 років тому
Larry Poons in Conversation with Karen Wilkin. The following interview was produced in collaboration with MediaCombo to complement "Color as Field: American Painting, 1950-1975," an exhibition organized by the AFA. Recorded in New York in 2007, this interview-divided into eight episodes-features painter Larry Poons in a rare conversation with the exhibition's guest curator, Karen Wilkin.
Larry Poons: Ambition
Переглядів 9 тис.13 років тому
Larry Poons in Conversation with Karen Wilkin. The following interview was produced in collaboration with MediaCombo to complement "Color as Field: American Painting, 1950-1975," an exhibition organized by the AFA. Recorded in New York in 2007, this interview-divided into eight episodes-features painter Larry Poons in a rare conversation with the exhibition's guest curator, Karen Wilkin.
Larry Poons: "Pollock in 1780"
Переглядів 8 тис.13 років тому
Larry Poons in Conversation with Karen Wilkin. The following interview was produced in collaboration with MediaCombo to complement "Color as Field: American Painting, 1950-1975," an exhibition organized by the AFA. Recorded in New York in 2007, this interview-divided into eight episodes-features painter Larry Poons in a rare conversation with the exhibition's guest curator, Karen Wilkin.
Larry Poons: Galleries
Переглядів 15 тис.13 років тому
Larry Poons in Conversation with Karen Wilkin. The following interview was produced in collaboration with MediaCombo to complement "Color as Field: American Painting, 1950-1975," an exhibition organized by the American Federation of Arts. Recorded in New York in 2007, this interview-divided into eight episodes-features painter Larry Poons in a rare conversation with the exhibition's guest curat...
Larry Poons: On Greenberg
Переглядів 26 тис.13 років тому
Larry Poons in Conversation with Karen Wilkin. The following interview was produced in collaboration with MediaCombo to complement "Color as Field: American Painting, 1950-1975," an exhibition organized by the AFA. Recorded in New York in 2007, this interview-divided into eight episodes-features painter Larry Poons in a rare conversation with the exhibition's guest curator, Karen Wilkin.
Larry Poons: Evolution of Style
Переглядів 31 тис.13 років тому
The following interview was produced in collaboration with MediaCombo to complement "Color as Field: American Painting, 1950-1975," an exhibition organized by the American Federation of Arts. Recorded in New York in 2007, this interview-divided into eight episodes-features painter Larry Poons in a rare conversation with the exhibition's guest curator, Karen Wilkin.
Larry Poons: On Mondrian
Переглядів 13 тис.13 років тому
Larry Poons in Conversation with Karen Wilkin. The following interview was produced in collaboration with MediaCombo to complement "Color as Field: American Painting, 1950-1975," an exhibition organized by the American Federation of Arts. Recorded in New York in 2007, this interview-divided into eight episodes-features painter Larry Poons in a rare conversation with the exhibition's guest curat...
AFA ArtPods: Matthew Ritchie, "The Changing World"
Переглядів 1,3 тис.15 років тому
Part 3 of 5, From artist Matthew Ritchie's AFA ArtTalks lecture. For more information about the American Federation of Arts, please visit our website at www.afaweb.org.
AFA ArtPods: Matthew Ritchie, "A Place Made of Information"
Переглядів 7 тис.15 років тому
Part 1 of 5, From artist Matthew Ritchie's AFA ArtTalks lecture. For more information about the American Federation of Arts, please visit our website at www.afaweb.org.
AFA ArtPods: Matthew Ritchie, "My Most Recent Show In New York"
Переглядів 1,5 тис.15 років тому
Part 2 of 5, From artist Matthew Ritchie's AFA ArtTalks lecture. For more information about the American Federation of Arts, please visit our website at www.afaweb.org.
AFA ArtPods: Matthew Ritchie, "Information as a Substance"
Переглядів 27115 років тому
Part 4 of 5, From artist Matthew Ritchie's AFA ArtTalks lecture. For more information about the American Federation of Arts, please visit our website at www.afaweb.org.
AFA ArtPods: Matthew Ritchie, The Early Years
Переглядів 39815 років тому
Part 5 of 5, From artist Matthew Ritchie's AFA ArtTalks lecture. For more information about the American Federation of Arts, please visit our website at www.afaweb.org.

КОМЕНТАРІ

  • @Paul-talk
    @Paul-talk Місяць тому

    ...sad

  • @JOSEPHCHARLESCOLIN2024
    @JOSEPHCHARLESCOLIN2024 7 місяців тому

    Larry i'm still Learning

  • @steveogle3679
    @steveogle3679 2 роки тому

    God these tidbits are tasty.

  • @davidanderson7382
    @davidanderson7382 2 роки тому

    Listening to him makes me really want to get on that damned train and go to the Met. Maybe tomorrow.

  • @davidanderson7382
    @davidanderson7382 2 роки тому

    These clips are marvelous. Larry Poons is one of America's unsung greats. Bravo.

  • @davidanderson7382
    @davidanderson7382 2 роки тому

    True painter's painter.

  • @joanaffleck7880
    @joanaffleck7880 4 роки тому

    I love how he has evolved into his art today. And knowing Frank Stella encouraged him on to create what he is doing is my best guess wonderful.

  • @markpx
    @markpx 4 роки тому

    What a brilliant, natural conversationalist! I love his work aside from the thrown paintings, which feel too simplistically achieved. The rest of his work, though, is brilliant, so maybe I'll warm up to them eventually as well.

  • @jotalagarta
    @jotalagarta 4 роки тому

    Mondrianiac

  • @jezzab5621
    @jezzab5621 4 роки тому

    Being an art buyer these days is comprehensively and indisputably vulgar. It is the sport of the Eurotrashy, Hedge-fundy, Hamptonites; of trendy oligarchs and oiligarchs; and of art dealers with masturbatory levels of self-regard. They were found nestling together in their super yachts in Venice for this year's spectacular art biennale. Venice is now firmly on the calendar of this new art world, alongside St Barts at Christmas and St Tropez in August, in a giddy round of glamour-filled socialising, from one swanky party to another. Artistic credentials are au courant in the important business of being seen as cultured, elegant and, of course, stupendously rich. Advertisement Do any of these people actually enjoy looking at art? Or do they simply enjoy having easily recognised, big-brand name pictures, bought ostentatiously in auction rooms at eye-catching prices, to decorate their several homes, floating and otherwise, in an instant demonstration of drop-dead coolth and wealth. Their pleasure is to be found in having their lovely friends measuring the weight of their baubles, and being awestruck. www.theguardian.com/commentisfree/2011/dec/02/saatchi-hideousness-art-world

    • @veryvalerieellis2064
      @veryvalerieellis2064 Рік тому

      It was when I saw promotions for art-buying shares I knew the art world was completely corrupt; these people don't want to see it or own it, just get a 'return' on it. UGLY.

  • @realartmuse
    @realartmuse 5 років тому

    He is a man who speaks his mine. Honesty is usually the best the policy, but some times can be painful.

  • @obscuraapit
    @obscuraapit 5 років тому

    The terms throwing and pouring sounds filthy when talking about fine art on canvas. What good is an artist if they can't re-create his/her own painting. In a parallel world Pollock & Poons' works will never be considered an art but Picasso & Da Vinci's works will always be valued just the same anywhere.

    • @skreml8804
      @skreml8804 4 роки тому

      What good is an artist if they can't create what they want?

    • @anthonylopez9594
      @anthonylopez9594 3 роки тому

      You dont get it because you hold onto preconceived notions about what art is supposed to be.

    • @obscuraapit
      @obscuraapit 3 роки тому

      @@anthonylopez9594 Not that! It's because i'm not some pretentious snob who'll take a stained canvas for an art piece if an expert tells them so.

    • @leonglindy
      @leonglindy 2 роки тому

      @@obscuraapit not sure if you get it. In Greenberg's words, you'd probably be into kitsch.

    • @obscuraapit
      @obscuraapit 2 роки тому

      @@leonglindy Oh! I know enough to say that money laundering also takes place in the pretentious world of refined arts. Monsieur Pierre Brassau makes a good case, if you're already not familiar with his name.

  • @BizRasam
    @BizRasam 5 років тому

    Painting is easy to do when you don't know how but really hard when you do - Degas

  • @eatpanda118
    @eatpanda118 7 років тому

    Poons has fantastic, freeing paintings.

  • @fraserradford6551
    @fraserradford6551 7 років тому

    Would you happen to have the full unedited version of this interview? I would love to see it!

  • @DakotaSpawn
    @DakotaSpawn 7 років тому

    um em, yeah, mm um, yeah, um em, yea. Woman, ask the question and then shut up and let him answer.

  • @megasept
    @megasept 9 років тому

    Who knew what a fine subject Mr Poons would be? His generous comments towards Ms. Frankenthaler's contribution and consistent talent, is a pleasure to hear. Thanks to the video makers for including stills of examples during the conversation. Really makes a fine flow.

  • @sergiolobato1798
    @sergiolobato1798 10 років тому

    Wow! In my mind, Larry Poons is that strapping angry young artist in that Emile de Antonio's documentary "Painters Painting". Frank Stella too.

  • @weseethroughu
    @weseethroughu 11 років тому

    larry poons famous for the quote to do the harder things. i would assume that mean drugs and alcohol.

  • @klobbr2009
    @klobbr2009 12 років тому

    outstanding art history gliph. thank you.

  • @weseethroughu
    @weseethroughu 13 років тому

    ASK HIM ABOUT HIS CONTROVERSIAL SISTER IN LAW.. THE ONE WHO WORKED FOR COLIN DELAND.. WHO WAS ROBBED OF LIFE BY PARENTS.. GIVEN BACK A SECOND MIRACLE , WAS HALF HER AGE HAD NO DRUG OR OTHER ISSUES AFTER 15 YEARS OF TORTURE. THEN CANNIBALIZED BY SOME ART AND REGGAE HEATHENS WHO VOWED TO REMOVE HER LIFE. NOT BEFORE SHE ASKED THESE PEOPLE FOR HER LIFE WHEN SHE KNEW SHE WAS IN DANGER... TO BAD CLEMENT DID NOT TELL HIM TO RESPECT THE YOUTH. NOT USE FOR SEX DRUGS AND TO LOOK AT THEIR ART.

  • @weseethroughu
    @weseethroughu 13 років тому

    beforre tht could go down i emailed this wman yvonne sewall who i saw had a websight on helping at risk kids. LOL funny because as a kid was not a drug user in their company adn all of their kids were. despite my abuse i remained a clean rol model and came up one. but when my lif was at risk to be killed by a canabalisitic rasta looking for asoul to steal to make it to his dreams. i vigilantly began to email this woman. in real life she could have become fearful for my safety but in their .

  • @weseethroughu
    @weseethroughu 13 років тому

    eys and sold my soul to the family who rejected him and he rejected and cocaine and alchol. i was left to suffer at hands of cannabalistic scavenges who pre me in street and rod and totured me ala hostel , snuff. while my cries were shut out by persons who told me to open my mouth vigilantly if i was in danger.that was a sin. i escaped my fate, rose up and began to become the artist he could or they could not be. Clement greenberg had said i had charachter. he died before i got to prove it.

  • @sessionstyle
    @sessionstyle 13 років тому

    haha lovable! these are a great series thx for posting.

  • @BluebirdNC
    @BluebirdNC 13 років тому

    These were wonderful. This is the first time I've been exposed to Larry Poons commenting on his art. One painting of his--called Cutting Water--was in my college art history textbook in the late 1970s, and although it was photographed in black and white, the impression it made has never left me.